It's my favorite one, mostly for it's unusual song structure, I like when composers take risks like that (Ayumi Hamasaki's "Surreal" is one of my favorites for that reason as well). I don't think the talking bothers me because I came in during the AS FOR ONE DAY/Shabondama era and guess what those two songs have all over it?
I know this is a Masaki/Chisaki led song but Harunan is all over this which makes me SO HAPPY.
Masaki's voice took on a very Aibon like sweetness here, which I actually really like. It contrasts nicely with all the lower voices in Momusu now. Her solo near the end with the little echo really reminded me of when Aibon would get those kind of solos.I actually kind of hope she does that more instead of trying to be like Reina, it seems more like her natural range.
Miki really got less awkward. Her solo parts she exudes way more confidence and her solo shots are looking much more comfortable. She always been okay for smile-y type songs, but she always looks weird during the serious ones, but she did real well here. Her push is doing her a lot of good.
I kept thinking Maria was Yuka in the mirror shots and getting very confused
It was a good introduction to Chisaki, and she is pretty confortable being a center girl that's for sure. I'm curious to see what her normal roll will be now that she's been introduced though.
by Amped » Sun Sep 24, 2017 1:20 pm 
